It’s been an interesting year. Half way through 2018 I started working from home basically full time. While that may not sound like it’s relevant, my time on the Tube was my “reading time.”

What I’m saying is: I didn’t reach my twelve book target this year.

I need to do better, allow myself to carve out some dedicated time as I did for exercise. Looking back over my list, I also want to read more fiction. I enjoy novels too much to only read one in a year!

I didn’t mean to immediately buy Hans Rosling’s “Factfulness“. I saw it in a “recommended reads” list (both Bill Gates and Barak Obama suggested it, if I remember correctly), thought it sounded interesting and went to Amazon to add it to my wish list. Fat fingers meant that I tapped the “buy” button instead.

Anyway. As an antidote to all the bad news around at the moment, I decided to read it right away. The narrative that the world is getting worse by many measures, this book argues, is false. I want to believe that we’re progressing but the pictures on TV of Trump and Brexit, famine and war make it hard to accept.

I’m not generally big on memoirs or autobiographies, but I’ve liked a lot of things Robert Webb has done and the title “How not to be a boy” worked for me.

There’s a lot I can relate to in here. I may not have wanted to be an actor or comedian but there are definite parallels to people, like myself, who were not interested in “boys” things like football. While that’s not necessary in a memoir, it did make the more rant-y, less autobiographical parts make sense to me.

“What if…?” is a totally ridiculous idea for a book and pretty much perfect because of it. The concept is asking all kinds of silly questions and seeing where they go. For example, what if a the earth suddenly stopped spinning? (Spoiler alert: it’s not good.)

There’s a beauty to both asking and taking the time to answer “absurd hypothetical questions.” It’s one of those things you’ll either “get” or you’ll think is utterly stupid. (Check out the reviews on Goodreads if you have any doubt.) To be fair, the people in the latter camp are probably not wrong but they’d be missing a lot of fun.

Anyone else read Scott Adams’ blog? The guy who does Dilbert? He seems to have gone off the rails a bit recently with all his Trump stuff but the idea behind some of it — the art of persuasion — is potentially interesting. I wanted to learn more.

Jay Heinrichs’ “How to argue with a cat” seemed like a good introduction, in that it didn’t look too sleazy or too serious. As an added bonus, it’s also very short.

I wasn’t entirely sure what to expect when I started “Creativity, inc.” In the end, it’s a bunch of anecdotes strung together to explain certain business practices that Ed Catmull believes has made Pixar successful. Half biography, half management guide if you like.

While the stories are engaging, and he has a surprising degree of humility, it’s difficult to see how many of the ideas can be successfully translated to other industries. Which is not to say that he’s wrong just that I wouldn’t expect to take his advice and immediately apply it to your workplace.

If you’re looking for a comprehensive guide to pop music, from the 1950s to around 2010, Bob Stanley’s “Yeah Yeah Yeah” is it. It’s roughly chronological and covers everything from the introduction of vinyl (the “official” start of pop music) to downloads (the end).

Every page leaves you with a list of songs you want to listen to. The volume is such that you’ll never get around to finding all of them but I did end up listening to a bunch of stuff that I wouldn’t ordinarily have thought to. Ironically, by being published in 2014 it misses the mainstreaming of the very streaming services that allowed me to do that!

“The Establishment” by Owen Jones is another Brexit-inspired read, though it was actually written before the referendum and some of it has dated remarkably quickly because of that.

It reads like a long Guardian article. Or, maybe, as a collection of Guardian columns strung together, in the sense that some turns of phrase seem to repeat often. If they’d not been in one book it might have been less noticeable? And the politics are similarly left-leaning.

I don’t normally read “franchise” books. I’ve avoided Star Wars, Star Trek and Doctor Who spin-offs but thought I’d try “Solo” featuring James Bond, mostly as as it was written by William Boyd who is one of my favourite authors.

It was a quick read, some nice twists. It has more gruesome violence than you get in the movies, which surprised me. Fleming purists may argue that it’s not the Bond of the books, but nothing offended me.