• London teen orders ‘cab, innit’ – Barely believable but very funny!
• Billy Bragg: Why should songwriters starve so others get rich? – “I never bought that Home Taping Is Killing Music shit in the 1980s that the record companies tried to lay on us. In fact I printed on the front of my fourth album that Capitalism is Killing Music. And that’s what’s happening now. The powerful start-ups a
• What Idiot Wrote These Ten Commandments? – “Where’s the stuff we can use? Where’s ‘No pushing’? Or ‘Bag your leaves so they don’t blow around in your neighbor’s yard?’ And don’t even get me started on right-of-way. Didn’t they have real problems back in Bible days?”

• Everything you ever wanted to know about “Rickrolling”… – The man who sang “Never gonna give you up,” the classic Stock-Aitken-Waterman pop song, makes an unexpected come back. (What’s wrong with Debbie Gibson by the way?!)
• Lies and Statistics – Most people in Britain believe that Jesus rose from the dead. Or do they…?
• Our Bad. Wired Had Some Tips For Apple — We Were Wrong. – Fascinating to see how much things have changed in the last ten years.

Actually, no. My first reaction was what a cute, almost-square book. My second was to hate it. It’s only a few pages into it and Levy is already discussing his great taste in music and disparaging mine (“… a pathetic Pet Shop Boys tune, the sort of thing that Nick Hornby would listen to on a bad day.”)

It wasn’t exactly what I was expecting. But — step back — what was I expecting? Well, the blurb on the back tells you that you can learn how the iPod became the defining object of the 21st century. Having read most of Steven Levy‘s previous books, the obvious point of comparison was “Insanely Great,” the story of the Macintosh. But while the Mac took several years to put together, the iPod took only around six months. In hindsight maybe it’s pretty obvious that it’s not all the trials and tribulations of putting the machine together.

• Behind bars – Looks like another fascinating documentary by Louis Theroux.
• Music lessons – Why the music industry as it’s currently structured is dying.
• “You Don’t Understand Our Audience” – The whole spiel by Justin Long in Die Hard 4.0 about the media cynically manipulating audiences is much closer to the truth than most people would like to admit…

I just read Daniel Eran Dilger’s “Winter 2007 Buyer?s Guide: Microsoft Zune 8 vs iPod Nano” but I felt that it was missing something very important for readers outside the United States.

So to fill that void here is my attempt. I have not actually used any of the new Zunes or iPods but I don’t necessarily feel that this has any material impact on the final result¹.

On the approach to Wembley there were a gaggle of vendors selling glowing rabbit ears and furry wands. We speculated whether this was where Gwen Stefani bought the wardrobe for her tour. They probably sell the same merchandise for most gigs here, but there are few other artists that I could imagine actually wearing such cheap and cheesy accessories.

Of course she didn’t, at least until about two thirds of the way through the set when she launched herself into the audience, alternately running around and standing in the crowd to sing a verse. At one point she borrowed some rabbit ears from a fan. Very fetching.

We went to see Pet Shop Boys play live at the Hammersmith Apollo on the 6th. It was a great gig, possibly the best of theirs that I’ve seen. This is perhaps the fourth or fifth time I’ve seen them over the years and the first time I’ve not left at least a little disappointed.

But despite the ups and downs of their live shows, they have maintained their prime position in my music collection since at least Actually came out in 1987. That makes me feel old! Of course you can’t really rationalise something that tugs at raw emotion in the way that music often can[^1], but that has not stopped me trying to figure out why I keep listening to them[^2].

Microsoft have been getting lots of press recently because of their new Zune music player. One of its major features is its wireless interface that lets you share music; even most of the advertising talks about the social implications¹. But let’s have a quick look at that functionality in more detail.

If I decide that I want to expend an hour of battery life in order to see other Zunes in the area, what can I do? Most famously you can transfer songs. As I’m sure you’ve heard by now, there are limits. When I receive a song, I can play it three times or hang onto it for three days² but after that all I get is an electronic post-it note reminding me about it. Clearly a lot of thought and a lot of engineering effort has gone into these limitations.

The sky is falling! EMI have announced that they are to allow distribution of their content without DRM. From next month, you’ll be able to buy albums from iTunes without the digital rights management chains of Apple’s FairPlay and in higher quality (twice the bit-rate). This is clearly good news, and EMIs move can’t help but encourage the other major labels to follow.

This is a bit of a weird one. For those that have not come across it, AllOfMP3 is a Russian competitor to music downloading sites like Apple’s iTunes Music Store. It distinguishes itself by offering higher quality (good), in a number of different formats (good), without digital restrictions managements (also good) and for a much lower cost.

(DRM is the bit in iTunes that stops you burning your purchases more than five times or streaming to more than five computers.)