William Boyd is one of my favourite authors. He specialises in doorstop novels that document the entire life of an interesting individual. His most famous is probably “Any Human Heart” and “The Romantic” [affiliate link] follows in its footsteps.

The story crosses the globe, starting in Ireland, moving to England, Belgium, the US, Africa, India, Sri Lanka, Italy, Austrian and others I’m probably forgetting. And it begins in 1899, so covers an interesting time in history. (I did some quick Wikipedia fact checking and it stands up!)

This book (affiliate link) was being promoted by my local council as part of a reading campaign. I’m not sure I would have picked it up otherwise, which, despite my misgivings, would have been a shame.

The story is about the world population spontaneously turning black, and the consequence and effects of that. It focuses on a few characters (Anders and Oona) and how it affects their lives.

The writing is unusual. I hesitate to say bad, because it’s very deliberate, but grating maybe? Each paragraph is effectively one long, run on sentence. I didn’t have the audio book, but I am curious how you’d read it without an inhuman pair of lungs.

I’m not sure that I can explain why it took me so long to read this Charlie Stross book. Some of the references to nineties computing tech dated it a little, but no more than Douglas Adams’ obsession with digital watches. The characters are pretty good, as is the writing. It strays into the mystical, magical world but there was always a logic underpinning the world. (The lack of “logic” in many fantasy books is one of the reasons I generally prefer sci-fi.)

I rate William Boyd as one of my favourite authors, so when I say that “Sweet Caress” [affiliate link] isn’t his best work you have to calibrate it appropriately.

As a structure, it’s almost identical to “Any Human Heart” [affiliate link]. It’s a journal or memoir of an interesting character, covering pretty much their entire life. In this one, Amory Clay is born early in the twentieth century and lives a full life as a photographer in Europe, North America and Asia. The timing allows her to see the World Wars, the rise of fascism, the Vietnam war and much more besides. It covers her successes and failures, and the consequences of them both.

It’s been fascinating watching Ben Elton grow as a writer. I read his first book, Stark, when it first came out. It was political and funny, as you might expect for a stand up comedian. It wasn’t terribly well written, though.

Next came Gridlocked, which was better written but not as funny.

I’d argue that he finally hit his stride with Popcorn, which was a real page-turner, with structure and humour and it was well written.

If you read my thoughts on the first book in the Kestrel series, “Changer” you’ll have a good idea of my thinking about the second, “Toll” [affiliate link].

It’s an entertaining, light read. I think that’s the intention, so I don’t mean that as a back-handed compliment.

Compared with last time, the MacGuffin didn’t bother me as much. What jarred were the constant info-dumps.

“[Barcelona is] the sixth most populous urban area in the European Union. Within Spain, it is second only to Madrid. But globally, it does not appear in the first ninety.”