I’m not generally big on memoirs or autobiographies, but I’ve liked a lot of things Robert Webb has done and the title “How not to be a boy” worked for me.
There’s a lot I can relate to in here. I may not have wanted to be an actor or comedian but there are definite parallels to people, like myself, who were not interested in “boys” things like football. While that’s not necessary in a memoir, it did make the more rant-y, less autobiographical parts make sense to me.
“What if…?” is a totally ridiculous idea for a book and pretty much perfect because of it. The concept is asking all kinds of silly questions and seeing where they go. For example, what if a the earth suddenly stopped spinning? (Spoiler alert: it’s not good.)
There’s a beauty to both asking and taking the time to answer “absurd hypothetical questions.” It’s one of those things you’ll either “get” or you’ll think is utterly stupid. (Check out the reviews on Goodreads if you have any doubt.) To be fair, the people in the latter camp are probably not wrong but they’d be missing a lot of fun.
Anyone else read Scott Adams’ blog? The guy who does Dilbert? He seems to have gone off the rails a bit recently with all his Trump stuff but the idea behind some of it — the art of persuasion — is potentially interesting. I wanted to learn more.
Jay Heinrichs’ “How to argue with a cat” seemed like a good introduction, in that it didn’t look too sleazy or too serious. As an added bonus, it’s also very short.
I wasn’t entirely sure what to expect when I started “Creativity, inc.” In the end, it’s a bunch of anecdotes strung together to explain certain business practices that Ed Catmull believes has made Pixar successful. Half biography, half management guide if you like.
While the stories are engaging, and he has a surprising degree of humility, it’s difficult to see how many of the ideas can be successfully translated to other industries. Which is not to say that he’s wrong just that I wouldn’t expect to take his advice and immediately apply it to your workplace.
If you’re looking for a comprehensive guide to pop music, from the 1950s to around 2010, Bob Stanley’s “Yeah Yeah Yeah” is it. It’s roughly chronological and covers everything from the introduction of vinyl (the “official” start of pop music) to downloads (the end).
Every page leaves you with a list of songs you want to listen to. The volume is such that you’ll never get around to finding all of them but I did end up listening to a bunch of stuff that I wouldn’t ordinarily have thought to. Ironically, by being published in 2014 it misses the mainstreaming of the very streaming services that allowed me to do that!
“The Establishment” by Owen Jones is another Brexit-inspired read, though it was actually written before the referendum and some of it has dated remarkably quickly because of that.
It reads like a long Guardian article. Or, maybe, as a collection of Guardian columns strung together, in the sense that some turns of phrase seem to repeat often. If they’d not been in one book it might have been less noticeable? And the politics are similarly left-leaning.
I don’t normally read “franchise” books. I’ve avoided Star Wars, Star Trek and Doctor Who spin-offs but thought I’d try “Solo” featuring James Bond, mostly as as it was written by William Boyd who is one of my favourite authors.
It was a quick read, some nice twists. It has more gruesome violence than you get in the movies, which surprised me. Fleming purists may argue that it’s not the Bond of the books, but nothing offended me.
I can’t make up my mind about “And Another Thing…,” Eoin Colfer’s book, which is the sixth Hitchhikers novel, the first not written by Douglas Adams.
On the one hand I wanted to give it a fair chance, try to judge it on its merits rather than simply as a H2G2 book not by Adams. On the other, it’s clearly not by Douglas Adams. It has the same characters. It’s clearly by someone who is a Hitchhiker fan and some things — like the names of places and things — feel spot on.
I want to like ebooks, I really do.
I like that the Kindle is smaller than a real paperback but can store dozens, hundreds even, of novels. I like that you can lose the hardware device and just download the books again. I like that I can read the same book on my iPhone as well as my iPad. It doesn’t even bother me that there’s no physical product. I’m not going to re-read most of my books yet they continue to take up the limited space in my London flat.